Inspired by the Armenian genocide (1915-1917), this solo was created in response to the work that I made in 2014 called Khatchkaralso about the Armenian genocide, who tells the story of five women. In this choreography, I tell the story of a man navigating between his strength and weakness, between the comfort of a home and the intense hardness of the deportation. The world around him is slowly collapsing. This solo is not a narrative representation of this historical time, but is a remembrance of a community, and all the community who once have been part of a holocaust. I have no desire to defend a political point of view, or the story of a single historic fact, but to find the beauty of the life, even in the worst moment. This man is fighting for his freedom even if he has to take a winding path. 

To support this choreography, I have created a set design composed of pieces of fabrics delimitating the space within the space of the theater. On the fabric a video is projected. The video is starting with a constant and heavy sounds and images of the rain. And while the world of this man is collapsing, the video is changing into Northern Lights, creating a contrast between the personal space of the man and the environment around him. This last video brings an open path to this man, connected to the idea of freedom.